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How To Protect Your Jewelry Designs Law On The Runway

    http://lawontherunway.com/blog/how-to-protect-your-jewelry-designs/
    Sep 12, 2016 · The basic difference between a design patent and a copyright is that the design patent can be used to protect the shape of jewelry, but not surface level design. A copyright can be used to protect both the shape (if it is sufficiently creative, like a sculptural work) and the surface level design (such as painted details or light etchings). To get a better understanding of what a design patent …

Protecting Jewelry Designs - ADLI Law Group

    https://www.adlilaw.com/protecting-jewelry-designs/
    Nov 08, 2017 · New Jewelry designs are frequently protected by design patents. A key to obtaining patent protection is to not disclose the design to the public until the patent application has been filed. That means the inventor can’t post the design on its website, display it in public, sell or even offer it for sale until the patent application is filed. Premature disclosure will result in almost complete loss of …

The Crown Jewels: How to Protect Your Jewelry Designs ...

    https://www.knobbe.com/news/2019/01/crown-jewels-how-protect-your-jewelry-designs
    Copyrights can be a particularly useful tool in protecting jewelry designs. Copyrights protect artistic expressions that are original to the creator and that are fixed in a tangible form (i.e., more than just an idea in your mind). A limitation on copyrightable subject matter is functionality; functional articles cannot be protected but conceptually separable portions of such functional articles can be copyrightable.

Protecting the Intellectual Property of Jewelry Designs

    https://www.pryorcashman.com/news-and-insights/protecting-the-intellectual-property-of-jewelry-designs.html
    Trademark rights in relation to jewelry generally involve a product’s design, which is protected as unregistered “trade dress”. The US Supreme Court has held that when seeking protection for a product design, the owner must show evidence of “secondary meaning,” which occurs when a con­sumer can automatically recognize the shape or configuration of the product as originating from one source, or …

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